Reading Pauline Kael’s New Republic review of Bande à part, having seen the film for the first time a couple of weeks earlier, he was deeply struck by one line in particular: “It’s as if a French poet took an ordinary banal American crime novel and told it to us in terms of the romance and beauty he read between the lines.” You can call Quentin Tarantino a thief. This, he insists, is the last thing he has ever been: great directors, Tarantino declares, “don’t do homages.” They outright steal, from anyone, anywhere, without regard to intellectual property or hurt feelings. The cover of the Beatles’ Sgt. Tarantino explains: "When people are constantly quoting Shakespeare and saying it perfectly to the letter, this phrase or this stanza. The Cinema Cartography video essay above, “The Copycat Cinema of Quentin Tarantino,” begins with a reference not to a classic work of cinema, but to a classic album made two years before the time of Once Upon a Time in Hollywood. But great directors don’t plagiarize in the Tarantino school of filmmaking. By ... By Andy McDonald. They don’t take verbatim from a single source, or even two or three. July 17, 2015. ©2006-2021 Open Culture, LLC. Tarantino, of course, knows that even his postmodern approach to cinema isn’t original. These cookies do not store any personal information. Pauline is voiced by Sarah Jessica Parker, and participants include Quentin Tarantino, Camille Paglia, David O. Russell, Molly Haskell, Francis Ford Coppola, and daughter Gina James. He stole it from Godard, and named his first production company A Band Apart, after Godard’s 1964 New Wave film Band of Outsiders, which is, Pauline Kael wrote, “like a reverie of a gangster movie as students in an espresso bar might remember it or plan it.” Tarantino’s films, especially his early films, are genre exercises made the way an adrenaline-fueled video store clerk would make them—stuffing in everything on the shelves in artful pastiches that revel in their dense allusions and in-jokes. When it comes to exquisite, bloody mash ups of exploitation flicks and the revered high classics of cinema, no one is better than Tarantino. Godard Among the Gangsters. Tarantino, of course, knows that even his postmodern approach to cinema isn’t original. Pauline Kael (1919-2001) was likely the most powerful, and personal, movie critic of the 20th century. But opting out of some of these cookies may affect your browsing experience. El viernes 13 de marzo TCM estrena en exclusiva 'Pauline Kael: El arte de la crítica', un documental dirigido por Rob Garver que se acerca a la figura de la legendaria crítica cinematográfica y que incluye los testimonios, entre otros, de cineastas como Quentin Tarantino, Woody Allen, Francis Ford Coppola, Peter Bogdanovich y Paul Schrader. It is mandatory to procure user consent prior to running these cookies on your website. The story is told largely through Kael’s own words, which are collected from interviews, private letters, and published writing. There has been no … Afterglow: A Last Conversation with Pauline Kael (2003) is among the last publicly available materials to gather film critic Pauline Kael's thoughts on the movie medium, prior to her death on September 3, 2001. You also have the option to opt-out of these cookies. With Quentin Tarantino, David O. Russell, Camille Paglia, Paul Schrader, David Edelstein, Greil Marcus, Molly Haskell, Robert Towne. Quentin Tarantino Lands Two-Book Deal, Including ‘Once Upon a Time in Hollywood’ Novel for 2021. Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. There is no original and no originality, only more or less clever and skillful remixes and restatements of what has come before. Pauline Kael is cited as an influence on Tarantino’s non-fiction book. Find out more about how we use your information in our Privacy Policy and Cookie Policy. These cookies will be stored in your browser only with your consent. What She Said: The Art of Pauline Kael. The New Yorker film critic Pauline Kael battled to make her mark -- fueled by brilliance, unshakable self-confidence, a complicated past, and a deep love of the arts. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. But, of course, he’s overstating things. But that won't stop Wonder Woman 3 (and even indications of a … The book was prepared by jazz critic Francis Davis.. Background. We find the free courses and audio books you need, the language lessons & educational videos you want, and plenty of enlightenment in between. Sarah Jessica Parker voices Pauline Kael. This category only includes cookies that ensures basic functionalities and security features of the website. Kael was known for her "witty, biting, highly opinionated and sharply focused" reviews, her opinions often contrary to those of her contemporaries. What She Said is a reminder that Pauline Kael’s own movie response meter was always entirely her own. 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